Contemporary Prints

Shepard Fairey, Obey Giant, OBEY Poster, 18 x 24 in.

Shepard Fairey, Obey Giant, Tunnel Vision, set of four screenprints, each 18 x 24 in., signed and numbered

Shepard Fairey, Obey Giant, Ideal Power, screenprint, signed and numbered

Shepard Fairey, Obey Giant, Salad Days, screenprint, unsigned

Jasper Johns (American, born 1930)
Untitled, 1977
Nine-color screenprint on Papatar printing parchment
unsigned
10 x 10 ¼ in.
framed
price available upon request
Jasper Johns is one of the most important artists of the 20th century, and arguably the most important living American artist. He was at the forefront of the Pop-Art movement of the 1960’s, alongside Andy Warhol and Robert Rauschenberg.
Untitled, 1977
Nine-color screenprint on Papatar printing parchment
unsigned
10 x 10 ¼ in.
framed
price available upon request
Jasper Johns is one of the most important artists of the 20th century, and arguably the most important living American artist. He was at the forefront of the Pop-Art movement of the 1960’s, alongside Andy Warhol and Robert Rauschenberg.

Takashi Murakami (Japanese, born 1962)
Hoyoyo, 1998
Offset lithograph in colors on mirror paper
Signed and numbered ‘233/300’ in ink (lower right)
Published by the artist and Kaikai Kiki Ltd., Tokyo, with full margins
19 5/8 x 19 5/8 in.
27 1/8 x 27 1/8 in. (overall)
Framed
price available upon request
The artwork of Takashi Murakami draws from the language of popular and traditional Japanese culture to comment on their relationship to contemporary life. Murakami's life-sized cyborgs, or human machines, are meticulously crafted sculptures inspired by the sometimes hard-core computer-generated imagery of the anime (animated film) and manga (comic book) industries that lie at the heart of Japanese popular culture.
Takashi Murakami's work has been exhibited in major museums all over the world. In November, 2003, ArtNews reported Murakami's work as being among the most desired in the world.
Hoyoyo, 1998
Offset lithograph in colors on mirror paper
Signed and numbered ‘233/300’ in ink (lower right)
Published by the artist and Kaikai Kiki Ltd., Tokyo, with full margins
19 5/8 x 19 5/8 in.
27 1/8 x 27 1/8 in. (overall)
Framed
price available upon request
The artwork of Takashi Murakami draws from the language of popular and traditional Japanese culture to comment on their relationship to contemporary life. Murakami's life-sized cyborgs, or human machines, are meticulously crafted sculptures inspired by the sometimes hard-core computer-generated imagery of the anime (animated film) and manga (comic book) industries that lie at the heart of Japanese popular culture.
Takashi Murakami's work has been exhibited in major museums all over the world. In November, 2003, ArtNews reported Murakami's work as being among the most desired in the world.

Rikrit Tiravanija (Thai/Argentine, born 1961)
Untitled (No Country #1), 2008
gouache, ink, graphite and collage on paper board
signed twice, titled and dated 'Rirkrit Tiravanija / 2008' (on the reverse)
12 x 9 in.
12 ½ x 9 ¾ in. (Overall)
framed
price available upon request
Provenance
Anon. sale, Aldrich Contemporary Art Museum, Aldrich UndercoverSecret Exhibition & Art Sale, Ridgefield, 2008.
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After Roy Lichtenstein (American, 1923-1997)
Museum Ludwig Koln (Cloud and Sea) 1989 (Not in Corlett)
Screenprint in colors on wove paper
Signed ‘r. Lichtenstein’ in black ink (lower right)
printed by Achenbach Art Editions, Dusseldorf, with full margins
27 ½ x 47 ¼ in. (sheet)
35 ½ x 54 ¾ in. (framed)
Framed
price available upon request
Roy Lichtenstein was one of the foremost artist in the Pop-Art movement of the 1960’s, 70’s and 80’s, among other such luminaries as Andy Warhol, Jasper Johns and Robert Indiana. Lichtenstein is known for his comic-strip works and his dot motif, which is present in this work.
This work is a screenprinted poster used to advertise a museum exhibition from 1989. The work comes from an unknown, or possibly unlimited, edition size and as such is not included in the artist’s Catalogue Raisonné of prints by Mary Corlett. The work is hand-signed by the artist.
Museum Ludwig Koln (Cloud and Sea) 1989 (Not in Corlett)
Screenprint in colors on wove paper
Signed ‘r. Lichtenstein’ in black ink (lower right)
printed by Achenbach Art Editions, Dusseldorf, with full margins
27 ½ x 47 ¼ in. (sheet)
35 ½ x 54 ¾ in. (framed)
Framed
price available upon request
Roy Lichtenstein was one of the foremost artist in the Pop-Art movement of the 1960’s, 70’s and 80’s, among other such luminaries as Andy Warhol, Jasper Johns and Robert Indiana. Lichtenstein is known for his comic-strip works and his dot motif, which is present in this work.
This work is a screenprinted poster used to advertise a museum exhibition from 1989. The work comes from an unknown, or possibly unlimited, edition size and as such is not included in the artist’s Catalogue Raisonné of prints by Mary Corlett. The work is hand-signed by the artist.

Tom Wesselmann (American, 1931-2004)
Tit, from Seascape Portfolio, 1978
Pochoir in colors with embossing and pencil on Arches paper
signed in pencil, dated '78' and numbered 3/20
published by the artist, with full margins
7 ¼ x 5 ¾ in.
11 x 10 in. (sheet)
framed
price available upon request
Tit, from Seascape Portfolio, 1978
Pochoir in colors with embossing and pencil on Arches paper
signed in pencil, dated '78' and numbered 3/20
published by the artist, with full margins
7 ¼ x 5 ¾ in.
11 x 10 in. (sheet)
framed
price available upon request

Tom Wesselmann (American, 1931-2004)
Nude, from Seascape Portfolio, 1978
Pochoir in colors with embossing and pencil on Arches paper
signed in pencil, dated '78' and numbered 3/20
published by the artist, with full margins
6 ¼ x 6 7/8 in.
10 x 11 ¼ in. (sheet)
framed
price available upon request
Nude, from Seascape Portfolio, 1978
Pochoir in colors with embossing and pencil on Arches paper
signed in pencil, dated '78' and numbered 3/20
published by the artist, with full margins
6 ¼ x 6 7/8 in.
10 x 11 ¼ in. (sheet)
framed
price available upon request

Yaacov Agam (Israeli, born 1928)
Large Untitled, c. 1979
Serigraph on paper
Signed ‘Agam’ in pencil (lower right), numbered ‘38/180’ in pencil (lower left)
36 x 50 in. (sheet)
29 x 42 ¾ in. (image)
38 ¾ x 52 ½ in. (overall)
framed
price available upon request
Yaacov Agam is an artist who was a major figure in Post-War Europe. His work hangs in major museums and collections around the world. He is considered one of the best-known artists to have come out of Israel.
Agam’s work can be considered an extension of the work of masters like Piet Mondrian and others, where the interplay of line and color create optical effects in the eye of the viewer, leading many to describe his work as “Op-Art” or “Kinetic Art”.
Large Untitled, c. 1979
Serigraph on paper
Signed ‘Agam’ in pencil (lower right), numbered ‘38/180’ in pencil (lower left)
36 x 50 in. (sheet)
29 x 42 ¾ in. (image)
38 ¾ x 52 ½ in. (overall)
framed
price available upon request
Yaacov Agam is an artist who was a major figure in Post-War Europe. His work hangs in major museums and collections around the world. He is considered one of the best-known artists to have come out of Israel.
Agam’s work can be considered an extension of the work of masters like Piet Mondrian and others, where the interplay of line and color create optical effects in the eye of the viewer, leading many to describe his work as “Op-Art” or “Kinetic Art”.
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Robert Indiana (American, born 1928)
Love Poster, 1974
Screenprint in colors on wove paper
32 1/4 x 22 3/4 in. (sight)
36 3/4 x 27 1/4 in. (framed)
Price Available upon Request
Love Poster, 1974
Screenprint in colors on wove paper
32 1/4 x 22 3/4 in. (sight)
36 3/4 x 27 1/4 in. (framed)
Price Available upon Request
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Robert Indiana (American, born 1928)
Indianapolis Museum of Art Poster, 1970
Screenprint in colors on wove paper
34 x 24 ¼ in. (sight)
38 ½ x 28 ¾ in. (overall)
framed
price available upon request
Indianapolis Museum of Art Poster, 1970
Screenprint in colors on wove paper
34 x 24 ¼ in. (sight)
38 ½ x 28 ¾ in. (overall)
framed
price available upon request
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Robert Indiana (American, born 1928)
The Hartley Elegies KvF IV Poster
Screenprint in colors on wove paper
Signed and dated ‘R. Indiana ‘91’ in pencil (lower right), embossed with edition stamp lower left
From an edition of 150
40 ½ x 20 ¾ in. (sight)
46 ¾ x 26 ¾ in.(overall)
framed
price available upon request
The Hartley Elegies KvF IV Poster
Screenprint in colors on wove paper
Signed and dated ‘R. Indiana ‘91’ in pencil (lower right), embossed with edition stamp lower left
From an edition of 150
40 ½ x 20 ¾ in. (sight)
46 ¾ x 26 ¾ in.(overall)
framed
price available upon request